Product name designer tagline Gravity

Gravity™

Weightless relaxation
Peter Opsvik, 1983

Product description text block Gravity

Gravity™ was designed with the intention to create a single chair that could accommodate both relaxation and productivity. Its four angles allow postures ranging from kneeling to fully reclined. You can use it as a kneeling chair when leaning forward and shift your weight slightly backwards for an upright position, placing your feet on either the floor or shin cushions for variation. To assume a reclined position, gently push away from the ground and lean all the way back until your legs are elevated above your heart. In this levitation-like position, the chair gently rocks in response to the rhythm of your breathing and allows you to relax into weightlessness. The space between the headrest and tilted backrest provides freedom of movement for the arms and shoulders. The headrest itself can be moved up or down to fit your needs. Gravity™ is available in a natural or black finish and a wide range of upholstery fabrics and colors. The wooden runners are made from layers of beech and ash veneer.

Product Video Gravity

  • Measurements

    Chair Measurement:
    W 73 cm x D 135 cm x H 122 cm

    Box Measurement:
    H 8 cm x L 147 cm x W 58 cm

    Weight incl box:
    13,5 kg

  • Materials

    Gravity is made from top quality beech ply wood from European forests. The ply wood is treated through an iterative molding process where several veneer layers are combined and glued. Through the application of combined heat and pressure, the layers are given their characteristic shape, making our Gravity stand out from the crowd. All wooden parts are flexible and strong, ensuring a sitting experience that is never static. For a beautiful finish, our ply wood is covered with ash top veneer, manually sanded and coated with water-based, non-toxic lacquers.

  • Fabric

    Revive is a vibrant upholstery textile designed by Georgina Wright, produced by Kvadrat. Made from 100% post-consumer recycled polyester, it is created with a focus to reduce the environmental impact both in production and on natural resources.

    Interested in exploring other upholstery options? Find our entire upholstery collection here and reach out to your nearest retailer to place an order.

Peter Opsvik
Designer 

Peter Opsvik is a Norwegian industrial designer born in 1939, trained at the Bergen College of Applied Art and the Norwegian State College of Applied Art in Oslo. Opsvik has worked as a freelance industrial designer since 1970, and currently has his own design studio in Oslo, where he works with seven colleagues focusing on product design as a mean for solving real-life problems. Throughout his career, Opsvik has attempted to overcome our stereotypical sitting habits with his unconventional seating solutions. With a playful and human starting point, his work is a display of how norms of sitting nicely and sitting still can be broken. 

Designer Peter Opsvik
The balans® concept 

At the very beginning of 1976 Hans Christian Mengshoel (1946) initiated a study that set out to answer how we could sit in more balanced and ergonomic ways. Through observation and research, Mengshoel found that a seat which was tilted slightly forward, encouraged a natural posture which provided greater mobility and relieved unwanted pressure while seated. The idea of shin support was introduced to keep the user from sliding off the seat while simultaneously maintaining an open hip angle. With this, Mengshoel initiated the concept of the kneeling posture in Norway and set the mark for a truly experimental time in Norwegian design history.

Mengshoel invited designers Oddvin Rykken, Peter Opsvik and Svein Gusrud to design products based on the novel balans concept. The collaboration resulted in several experimental designs, where stereotypical views of sitting and seating where abandoned. A collection of balans prototypes were displayed at the 1979 Scandinavian Furniture Fair in Copenhagen, where they received significant attention. In 1984 the three designers and Mengshoel were awarded the Jacob Prize, the highest recognition granted to designers, architects and artists in Norway, for their original contributions.